PCR Volume 30, Number 2, Summer 2019
Click below to view PCR Volume 30, Number 2:
Table of Contents
From the Editor's Desk
Felicia Campbell
doi:10.18278/pcr.30.2.1
Side 3, Side 2: The Beatles in Jhumpa Lahiri's The Namesake
Steven Hamelman
doi:10.18278/pcr.30.2.2
Space at the Con: Conversations About Representation in Popular Culture at Comic Conventions
Debra E. Jenson
doi:10.18278/pcr.30.2.3
What’s lit got to do with it? Deconstructing the Carl Sandburg Home Historic Site
Alana N. Seaman
doi:10.18278/pcr.30.2.4
Dating in the Digital Age: A Research Experiment
Marci Mazzarotto
doi:10.18278/pcr.30.2.5
Fake News and Failed Friendships: An Analysis of Trump, Pecker, and the National Enquirer
William M. Kirtley and Patricia Kirtley
doi:10.18278/pcr.30.2.6
"We Know the Way": Culture-Nature Relationship and Kuleana in Disney’s Moana
Colby Y. Miyose
doi:10.18278/pcr.30.2.7
Has True Romance Disappeared in Consumer Society? A Morinian and Baudrillardian Reflection of the Acute Crisis of Simulation
Keith Moser
doi:10.18278/pcr.30.2.8
Dante, the Gothic, the Abject, and the Grotesque in Mathieu Missoffe’s Thriller-Crime Drama Black Spot
Richard Logsdon
doi:10.18278/pcr.30.2.9
I am Trying Hard to Follow the Sound: Meditations on Accepting Typhoon’s Offerings
H. Peter Steves
doi:10.18278/pcr.30.2.10
Book Reviews
Valenzano III, Joseph M. and Erika Engstrom: Religions Across Television Genres: Community, Orange Is the New Black, The Walking Dead, and Supernatural
Jarret Keene
doi:10.18278/pcr.30.2.11
Rukmini Pande: Squee from the Margins: Fandom and Race
Erika Abad
doi:10.18278/pcr.30.2.12
Rosie White: Television Comedy and Femininity: Queering Gender
Clayton N. Cobb
doi:10.18278/pcr.30.2.13
Michelle Medeiros: Gender, Science, and Authority in Women’s Travel Writing: Literary Perspectives on the Discourse of Natural History
Heather Lusty
doi:10.18278/pcr.30.2.14
Christopher B. Patterson: Transitive Cultures: Anglophone Literature of the Transpacific
Julianna Crame
doi:10.18278/pcr.30.2.15
Scott Donaldson: The Paris Husband: How It Really Was Between Ernest and Hadley Hemingway
Carl Rollyson
doi:10.18278/pcr.30.2.16